Deathgrip Down Under
Words & Images Cameron MacKenzie
A look behind the curtain at one of this year’s biggest feature films, filmed in our very own backyard.
Clay Porter and Brendan Fairclough are two names synonymous with mountain biking – both having been influencing the way the sport is seen for close to 20 years each. Whether it Clay’s signature film making, or Brendan’s ability to blown up turns, with the internet it was inevitable they’d one day collaborate on something big and stamp their mark in the history books. Well, they did, all the way back in 2017, with the release of Deathgrip.
Since then, though, everyone’s been asking if there would be a second film – and finally, here we are. Deathgrip 2 is in the bag, and beginning to premiere all round the world, so it’s time to pull the curtain back on their first New Zealand segment.
The whole basis of Deathgrip is Brendan riding with like-minded riders, some of the best in the world in their respective areas, ripping the side- knobs off of some of the best trails and features you’ve seen. It was a no brainer that Bren would look to his long-time friend, Dave McMillan, and his hometown of Queenstown, to shoot a segment for DG2.
Dave, an owner of Flux Trail, was poised particularly well to pull off something epic for the film, with Flux Trail having their own private compound tucked away in an undisclosed location, and the resources to build anything they please.
What Dave managed to create was only fit for an all time crew – Olly Wilkins, Brendan Fairclough (also riding), with Clay Porter, Rupert Walker and Chris Seager on the dad-cams.
Over the course of four days, the team set to work “stacking clips”, filming every feature from every which angle – blending a lot of modern day techniques and angles together to create an experience for the viewer that will truly wow and inspire. Sun up to sundown is often the order for projects like this, and Queenstown really turned it on.
Stay tuned for more information on a New Zealand premiere, and where to buy a copy of the film.